Strange is Change: Community and the Unconventional

"Don’t try to do it alone – only as part of a community can we create real, lasting change. Happily, it’s more fun that way."

Robert Ferguson in his shared apartment.
Robert in his shared apartment. Photo by Richard Ranta.

Robert Ferguson

I was born in Scotland and immigrated to Canada at the age of eight. Since then, I’ve lived across the country — Vancouver, Calgary, Montreal, Halifax and a few places in between. Moving this much, home was never something I could take for granted. Instead, new places, new people and new climates have inspired continued personal, academic and professional reinvention – from engineering to architecture and landscape architecture, from student government to community, art and advocacy.

Now, with degrees in architecture and landscape architecture from UBC, and a particular interest in the emancipatory potential of the home, I plan to build my practice across architecture, research, housing advocacy and service.

Why did you choose SALA? 

An early ambition to ‘build things’ led me to mechanical engineering at McGill University. Dissatisfied with a purely technical approach to problem-solving, I cast about for a practical course of study that would nevertheless engage history, art, culture and ecology. UBC’s Environmental Design program (now BDES) offered just that. With its blend of architecture, landscape architecture, urban and industrial design courses, ENDS kicked off a period of immense personal and academic flourishing. There I learned that complex social and environmental problems, which had initially inspired my pursuit of engineering, could not be addressed by a single discipline. 

When the time came to consider graduate studies, UBC’s dual-degree MARCLA program seemed a unique opportunity to explore the potential of collaborative, cross-disciplinary design, while still earning professional degrees in architecture and landscape architecture.

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A charcoal rendering of LUCINIUM, a satirical, 'supertall' residential tower in downtown Vancouver
A charcoal rendering of LUCINIUM, a satirical, 'supertall' residential tower in downtown Vancouver, designed to maximize speculation potential and associated urban spectacle. This view is taken from a gap at the bottom of the tower, looking up.

What did you learn that you didn't expect to learn as part of your degree?

SALA encourages creative risk-taking and experimentation alongside the craft and technical rigour you would expect from a professional degree program. This tirelessly unconventional approach to design is a skill I value above all else, and one that I believe is critical if we are to build just and sustainable cities.

In one studio, Bill Pechet encouraged experimentation with media, representation, and performance as a means of ideological exploration: In LUCINIUM, I used poetic narration, dramatic 2x3’ charcoal drawings, and an electronically-illuminated, 7’ tall, burnished graphite scale model to convey the cultural charge of financialized housing and real estate speculation (pictured above). In another, with Professor Matthew Soules, I pushed radical housing affordability and social collectivity to the limit with SUPERCOMMON. The project, a collaboration with Victor Sarzynski, sparked a passion for community equity and liberatory domesticity that inspired my graduate thesis and still motivates my professional interests today. 

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Image of thesis project on shared housing in Point Grey by MARCLA graduate Robert Ferguson
A student sharehouse in Point Grey, with floor plans and a generational tenancy diagram overlaid. Taken from 'Room Only: Liberated Domesticity in Speculation Purgatories'.

What has made your time at UBC memorable? 

At SALA, the student community is everything. As President of the Architecture Students Union and founder of the Concepts intramural soccer team, I was uniquely immersed. Our cohort was incredibly active – students started a ‘Hot-Ones’ faculty interview series, a feminist newsletter and an Indigenous student library. We served each other breakfast every Wednesday, and dinner every Friday. We made lifelong friends. 

My thesis, ‘Room Only: Liberated Domesticity in Speculation Purgatories’, celebrates the beauty and resilience of the SALA community by documenting student ‘Sharehouses’ in Point Grey. Largely unmanaged by their investor-owners, these improvised rentals quietly foster vast coliving communities within a seemingly conventional suburban fabric. Many of us lived in them. It was a true privilege to tell our story, and to give back to a community that gave me so much. I’ll never forget it.

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Members of the SALA student community gather outside the Lasserre building in spring
Members of the SALA student community gather outside Lasserre in Spring 2025.

What advice would you give a student entering SALA? 

You don’t have to do it on your own.

Design is a uniquely collaborative discipline; we learn and achieve the most when working closely with others.  As much as you can, immerse yourself in the social life of your cohort. Be generous with your time, knowledge and resources not just when it’s convenient, but every time it is needed. You will get back more than you put in.

Plus, you never know — your best ideas might come at 7AM, trudging back up the stairs with your classmates after an early morning dip at Wreck Beach.

How did your studies in the Faculty of Applied Science prepare you for the future of work?

Even as the design, engineering and construction disciplines have become increasingly siloed, my time at UBC fostered a belief that designers must work across practice, research and advocacy to effect change. Throughout my education I was offered numerous opportunities to TA and assist with faculty research. As I begin my professional journey in architecture, I hope to continue teaching and contributing to advocacy-oriented scholarship.

What is next for you?

I recently joined D’Arcy Jones Architects as a designer. There, as I work toward professional licensure in architecture, I hope to grow the craft and construction knowledge I need to achieve the beautiful and functional spaces I dreamt of while at school.

At the same time, I plan to remain an active member of the design community through service and research. Since graduating, I have co-authored a landscape architecture pedagogy paper with Professor Daniel Roehr, and built the Bug Bed, a 6-legged, flat-pack bed frame. Next, I hope to expand and publish my thesis research for a general audience — advocating sociable, liberated and affordable housing in Vancouver, in Canada, and beyond.

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UBC is located on the traditional, ancestral and unceded territories of the xʷməθkʷəy̓əm people (Musqueam; which means 'People of the River Grass') and Syilx Okanagan Nation. The land has always been a place of learning for the Musqueam and Syilx peoples, who for millennia have passed on their culture, history and traditions from one generation to the next.

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